Published Dec 30, 2019



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Jorge J. Locane

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Abstract

This paper departs from the dominant trend that presents the Colombian writer Tomás González as a novelist, to highlight his poetic work. The series Manglares, which consists so far by three different editions of the same book of poems, is analyzed as an unstable text that, at times, nourishes the narrative corpus. The analysis focuses on how this poetry collection puts into question the memory conceived as a consolidated and solid personal archive. By contrast, the memory displayed in Manglares is permanently reconfigured and constitutes therefore the basis of an unsteady self which is constantly updated. 

Keywords

Tomás González, poetry, Manglare, memoryTomás González, poesía, Manglares, memoriaTomás González, poesia, Manglares, memória

References
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Galán Casanova, John. “La memoria inventada. Johan Galán Casanova entrevista a Tomás González”. El Malpensante 122 (2011). http:// elmalpensante.com/articulo/2055/la_memoria_inventada. Web.

González, Tomás. Manglares. Medellín: Universidad Pontificia Bolivariana, 1997. Impreso.

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Vásquez, Juan Gabriel. “In the Beginning Was the Sea by Tomás González review - a tragedy foretold”. The Guardian, 30.08.2014. https://www.theguardian.com/books/2014/aug/30/in-thebeginning-was-the-sea-tomas-gonzalez-review-novel. Web.
How to Cite
Locane, J. J. (2019). Dispersions of memory, flows and porosities in the series Manglares (1997, [2005], 2006, 2013) by Tomás González. Cuadernos De Literatura, 23(46). https://doi.org/10.11144/Javeriana.cl23-46.dmfp
Section
Estudios