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Abstract
Los sistemas autorreferenciales entre El Album secreto del Sagrado Corazón(1978) Y Zarzány el Filósofo Desnudo (1996), textos narrativo s de RodrigoParra Sandoval, parecen romper las barreras escriturales y los marcos mismos de la textualidad en El don de Juan. Si en el primero de los textos se aventuró a cuestionar la noción estereotipada de novela proponiendo formas alternativas,y en el segundo abordó la vivencia riesgosa de las metamorfosis ocurridas en el proceso de escritura-lectura del mundo, en El don de Juan, Rodrigo Parra Sandoval se sitúa antes de la producción de la escritura o del objeto artístico; esto es, en el espacio nebuloso de quien imagina y en los laberintos de la imaginación, topos virtual, sin restricciones, donde es posible la auténtica libertad creativa para aprehender la realidad y donde la multiplicidad de puntos de vista captan, no tanto la variación de una verdad, sino la verdad de las variaciones.Cuadernos de Literatura is registered under a Creative Commons Attribution 4.0 International Public License. Thus, this work may be reproduced, distributed, and publicly shared in digital format, as long as the names of the authors and Pontificia Universidad Javeriana are acknowledged. Others are allowed to quote, adapt, transform, auto-archive, republish, and create based on this material, for any purpose (even commercial ones), provided the authorship is duly acknowledged, a link to the original work is provided, and it is specified if changes have been made. Pontificia Universidad Javeriana does not hold the rights of published works and the authors are solely responsible for the contents of their works; they keep the moral, intellectual, privacy, and publicity rights.
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