This article proposes to point out the discourse distinctiveness from memory stories, but centered in one enunciation: the episodes related to the 70’s in Argentina; particularly the Last Military Dictatorship event.  It is inscribed within the investigations about argentine memory discourses, particularized in Córdoba as a cultural space. On this sense, it is form the consideration about the possibility/ impossibility to narrate and the incommensurable aspect of some of the experiences, that a series of considerations are structured to characterize the enunciations and-fundamentally- the enunciation processes. The marking of some determined resources related to the narrative structure, the enunciating voice/s, the plurality and the overlay of times, the metaphors, etc., which show the reminiscence work and ratify-simultaneously- a correspondence between aesthetics and politics, between memory and resistance.