Published Aug 25, 2020



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Vicente Chong https://orcid.org/0000-0002-4424-3253

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Abstract

This study suggests that art can help in the process of salvation in its historical dimension. To sustain this argument, it starts by defining the field and the importance of theological aesthetics. After that, the author makes a transcendental analysis of aesthetic experience, based on the work of the Ecuadorian artist Eduardo Kingman. Then, this transcendental experience through art is interpreted in terms of liberation in order to propose that art is a praxis that can help in the process of liberation of those who are poor and excluded from society. Theologically speaking, the author suggests, it is God who works in the process of liberation through art.

Keywords

Karl Rahner, experiencia trascendental, Hans Urs von Balthasar, teología de la liberación, estética, belleza, arte, Eduardo KingmanKarl Rahner, Transcendental Experience, Hans Urs von Balthasar, Liberation Theology, Aesthetics, Beauty, Art, Eduardo Kingman

References
Chong, Vicente. A Theological Aesthetics of Liberation: God, Art, and the Social Outcasts. Eugene (OR): Pickwick Publications, 2019.
Gutiérrez, Gustavo. La densidad del presente. Salamanca: Sígueme, 2003.
Moreno Aguilar, Andrea. Eduardo Kingman Riofrío. Quito: Banco Central del Ecuador, 2010.
Rahner, Karl, “Art against the Horizon of Theology and Piety”. En Theological Investigations. Vol. XXIII. Final Writings, 162-168. London: Darton, Longman and Todd, 1992.
_____. Curso fundamental sobre la fe. Introducción al concepto de cristianismo. Barcelona: Empresa Editorial Herder, S. A., 1979.
_____. “Sacerdote y poeta”. En Escritos de teología. Tomo III. Vida espiritualsacramentos, por K. Rahner, 331-354. Madrid: Taurus Ediciones, S. A., 1961.
_____. “Sobre la unidad del amor a Dios y el amor al prójimo”. En Escritos de teología. Tomo VI. Escritos del tiempo conciliar, 271-292. Madrid: Taurus Ediciones, S. A., 1969.
_____. “The Theology of the Religious Meaning of Images”. En Theological Investigations, Vol. XXIII. Final Writings, 149-161. London: Darton, Longman and Todd, 1992.
Rodríguez Castelo, Hernán. “Kingman, el pintor de las manos”. En Eduardo Kingman, editado por Renato Scalon, 13-51. Quito: La Manzana Verde, 1985.
_____. “Las claves de la expresión kingmaniana”. En Kingman, la obra y sus claves, editado por la Pontificia Universidad Católica del Ecuador, PUCE, 7-11. Quito: PUCE, 1998.
Von Balthasar, Hans Urs. Gloria. Una estética teológica. Vol. 1. La percepción de la forma. Madrid: Encuentro, S. A., 1985.
How to Cite
Chong, V. (2020). Theology and Liberation in Eduardo Kingman’s Art. Theologica Xaveriana, 70. https://doi.org/10.11144/javeriana.tx70.tlaek
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