Abstract
At the end of the 19th century, traditional music was one of the few diversions in Colombian social life. The Bogotá Social Gatherings, therefore, incorporated the use of traditional music to develop strong relationships between those in attendance. The gatherings constituted one of the most important practices of communication and human interaction in Colombia. These gatherings promoted social life through conversation, the appreciation of aesthetic beauty and the performance of live folkloric music. Nevertheless, the influx of new technologies transformed Colombian traditional music. As a result, the cultural purpose of the gatherings changed.The journal Memoria y Sociedad is registered under a Creative Commons Attribution 4.0 International Public License. Thus, this work may be reproduced, distributed, and publicly shared in digital format, as long as the names of the authors and Pontificia Universidad Javeriana are acknowledged. Others are allowed to quote, adapt, transform, auto-archive, republish, and create based on this material, for any purpose (even commercial ones), provided the authorship is duly acknowledged, a link to the original work is provided, and it is specified if changes have been made. Pontificia Universidad Javeriana does not hold the rights of published works and the authors are solely responsible for the contents of their works; they keep the moral, intellectual, privacy, and publicity rights.
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