Abstract
This text is a research report concerning the cabocla (mestizo) population of southern Brazil, focusing on cultural aspects, seen here as a distinguishing system. This population is studied in terms of the migratory process that begins with their expulsion from the countryside, their adaptation to the small towns, passing through the periphery of the large cities and finally returning to the countryside. The article attempts to understand their musical practices, the technology that they have appropriated and their religiosity, all of which have been, symbolically and materially, reconstructed in their complexity.The journal Memoria y Sociedad is registered under a Creative Commons Attribution 4.0 International Public License. Thus, this work may be reproduced, distributed, and publicly shared in digital format, as long as the names of the authors and Pontificia Universidad Javeriana are acknowledged. Others are allowed to quote, adapt, transform, auto-archive, republish, and create based on this material, for any purpose (even commercial ones), provided the authorship is duly acknowledged, a link to the original work is provided, and it is specified if changes have been made. Pontificia Universidad Javeriana does not hold the rights of published works and the authors are solely responsible for the contents of their works; they keep the moral, intellectual, privacy, and publicity rights.
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