Keywords
nation
project culture
people
revolution
collective memory
Spanish language
Catholic Church
How to Cite
Abstract
This article centers its analysis of the hispanicism as a tendency that in different levels was articulated with Colombia and México national projects during the period among 1886 to 1921. Even though, it shows how in the Colombian case that joint managed to consolidate a traditional conservative cultural project whose referring were taken from the Hispanic tradition. In contrast, in México, after the revolution victory, the relative acceptance that hispanicism have had under the "porfiriato" period was radically denied placing instead a national reborn under the values from one of the principal actors of the revolutionary process, The People. The centrality of popular culture and the interpretations that was made by intellectuals and artists sponsored by the State Consolidated a cultural nationalistic revolutionary project.The journal Memoria y Sociedad is registered under a Creative Commons Attribution 4.0 International Public License. Thus, this work may be reproduced, distributed, and publicly shared in digital format, as long as the names of the authors and Pontificia Universidad Javeriana are acknowledged. Others are allowed to quote, adapt, transform, auto-archive, republish, and create based on this material, for any purpose (even commercial ones), provided the authorship is duly acknowledged, a link to the original work is provided, and it is specified if changes have been made. Pontificia Universidad Javeriana does not hold the rights of published works and the authors are solely responsible for the contents of their works; they keep the moral, intellectual, privacy, and publicity rights.
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