This paper introduces, in general way, the form and expression of art criticism with respect to photography, to allow for an understanding of some points of view from the perspective of artistic tradition, to the esthetic, to innovate forms that have fed its transition, the abrupt changes and the artistic avant-garde at each moment of the development of Mexican photography. This collection is miscellaneous, but establishes some of the expressions of the fotofóbicas and fotofílicas that created the roots which allowed for the consolidation and growth of Mexican photography