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Abstract
El tema propuesto puede abordarse desde diferentes perspectivas: desde el discurso teórico en torno al sentido de la experiencia de fe y su relación con la creación musical, o desde la observación y el análisis de lo que a ese propósito han dicho compositores que desde su fe elaboraron obras musicales.
Señalaremos algunos puntos sobre la primera perspectiva y haremos un breve recorrido por el camino que ofrece la segunda. Ésta nos permite penetrar en el espíritu de los compositores y descubrir sus intenciones y sentimientos;
además nos invita a escuchar lo que piensan y viven sus oyentes.
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