Keywords
Apolo
Nietzsche
Schopenhauer
How to Cite
Abstract
This text tries to show how Nietzsche, during the last stage of his philosophy is able to uovercome the metaphisical aestheticism of The Origine of tragedy and elaborates a new image of Dionysos all in al 1 a la Nietzsche, cleaned from all wagnerian and schopenhauerian traces. In this stage, art is thought no longer from the tension Apolo- Dionysos but from a totally dionysiac perspective; the opposition is now between Dionysos and the crucified, and implies a new comprehension of life's affirmation and the meaning of suffering. The Philosopher-Artist will be Dionysos' new image and the determination of a new classicism.
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