Keywords
Brazil
plastic arts
literature
music
psychoanalysis
How to Cite
Abstract
The presence of Nietzsche in Brazil is, without a doubt, incontestable. In the last decades the repercussion of his writings has been felt among diverse areas: in Literature, the plastic arts, music, psychoanalysis, and the so called human sciences. Nevertheless, itis problematic to verify such presence in a precise, but succinct, way: to show where, how and when it occurs, what is what it does when it becomes effective and what effects are derived from it. Therefore, what is accomplished in this communication, it is to point briefly at some of the most important tendencies and movements.This journal is registered under a Creative Commons Attribution 4.0 International Public License. Thus, this work may be reproduced, distributed, and publicly shared in digital format, as long as the names of the authors and Pontificia Universidad Javeriana are acknowledged. Others are allowed to quote, adapt, transform, auto-archive, republish, and create based on this material, for any purpose (even commercial ones), provided the authorship is duly acknowledged, a link to the original work is provided, and it is specified if changes have been made. Pontificia Universidad Javeriana does not hold the rights of published works and the authors are solely responsible for the contents of their works; they keep the moral, intellectual, privacy, and publicity rights.
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