The present departs from the fact that ther is a tendency in philosophical discourse from Nietzsche and Heidegger to contemporary philosophy: it adopts a apocalyptic dramatic style or the tone of an eschatological tragedy that is clearly displayed in expressions such as the abandonment of modernity, the death of the cartesian-hegelian origin subject, and the overcoming of metaphysics. These destructive outcries, for example, some concrete destructive exercises of Heidegger and Nietzsche, aim directly against the onto-theological (and teleologic) foundation that underlie modem subjectivityand makes it possible, and that is explained by God's interferente in philosophy as foundation.