Keywords
argentine cinema
children of the disappeared
documentary turn
the real
How to Cite
Abstract
In recent years, it has been possible to detect in Argentine literature, that a documentary turn has come to complete, and not to replace, the subjective turn to which a decade ago Beatriz Sarlo and others referred to. Some aspects of this “turn” in Argentine cinema, appeared earlier in relation to what Hal Foster called “the return of the real”. This work seeks to reflect on the transformations that, in this sense, take place in both literature and contemporary cinema, based on the analysis of a series of books and films produced by the children of the people who disappeared during the last military dictatorship.
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