Abstract
This essay systematizes Beatriz Sarlo’s nineteenth-century Argentinean literature approaches, which are part of a broader critical project focused on the twentieth century, particularly on the rst decades, that she has extended at least to the present century. The central hypothesis is that Sarlo’s insistence on examining the founding moment of Argentinean literature and the work and figure of writers such as Sarmiento and Echeverría is due to her intention to find a first modernizing moment before the cultural modernity she observes in her classic work Una modernidadperiférica. Buenos Aires 1920 y 1930 (1988). Furthermore, the essay aims to explore Sarlo’s initial study about Juan María Gutiérrez in relation to a literary history narrated from a modern perspective but also concerning her position as a critic.
Altamirano, Carlos y Beatriz Sarlo. Ensayos argentinos. De Sarmiento a la vanguardia. Centro Editor de América Latina,
Altamirano, Carlos y Beatriz Sarlo. “El poeta pensador”. Prólogo a Esteban Echeverría, Obras escogidas. Biblioteca
Ayacucho, 1991, pp. IX-LIII.
Sarlo, Beatriz. Escenas de la vida posmoderna: intelectuales, arte y videocultura en la Argentina. Ariel, 1994.
Sarlo, Beatriz. Escritos sobre literatura argentina. Edición a cargo de Sylvia Saítta, Siglo XXI Editores, 2007.
Sarlo Sabajanes, Beatriz. Juan María Gutiérrez: historiador y crítico de nuestra literatura. Editorial Escuela, 1967.

This work is licensed under a Creative Commons Attribution 4.0 International License.
Copyright (c) 2021 Alejandra Laera