Benjamin by Sarlo

Abstract

This article aims to analyze Beatriz Sarlo’s critical operation as a reader of Walter Benjamin works. On the one hand, her reading of Benjamin, that is to say, the field of interests and affinities that they share and emerge in her writing —the city, the modernity, the experience, the technology, avant-garde movements—. On the other, her reading with Benjamin, that is, the way in which Sarlo makes him work inside her own critical exercise, bringing him to the present to unfold and enhance new analysis.

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