Ramos Sucre: a rearguard montage : Artículo de investigación

Abstract

In the following work, it is proposed to rethink the work of the Venezuelan poet José Antonio Ramos Sucre, whose work can serve as a model for a type of textual and literary montage that occurred at the beginning of the 20th century. A montage that used the western cultural archive to disarm it and dispossess it. Hence, it is proposed to work on the notion of anachronism, so revived in these times by important theorists such as Aby Warburg, to inscribe this proposal along with other Latin American bets.