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Abstract
Este artículo analiza la más reciente novela de Luis Arturo Ramos, Mickey y sus amigos (2010), dentro del contexto de lo que otros intelectuales europeos y latinoamericanos han escrito acerca de los parques Disney. Estos enormes espacios de entretenimiento resultan emblemáticos de la cultura norteamericana y de ciertas coordenadas de la llamada postmodernidad. La exploración narrativa de Disney World en manos de Ramos se representa ficcionalmente a partir de las historias de dos de los encarnadores de Mickey Mouse que resaltan en sus avatares las lógicas de la ilusión, el deseo y la fantasía que condicionan a la experiencia dentro de estos recintos.Cuadernos de Literatura is registered under a Creative Commons Attribution 4.0 International Public License. Thus, this work may be reproduced, distributed, and publicly shared in digital format, as long as the names of the authors and Pontificia Universidad Javeriana are acknowledged. Others are allowed to quote, adapt, transform, auto-archive, republish, and create based on this material, for any purpose (even commercial ones), provided the authorship is duly acknowledged, a link to the original work is provided, and it is specified if changes have been made. Pontificia Universidad Javeriana does not hold the rights of published works and the authors are solely responsible for the contents of their works; they keep the moral, intellectual, privacy, and publicity rights.
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