Abstract
Al estar ambientada en el pueblo minero de Lota, El Mocho (1997), novela póstuma del escritor José Donoso, genera puentes intertextuales con la obra de Baldomero Lillo Sub Terra (1904). Ambos autores establecen relaciones espaciales a partir de un esquema vertical que acusa una oposición social. Sin embargo, José Donoso despliega una nueva mirada sobre este contexto minero chileno, asociado a una tradición naturalista. A través del cultivo del paisaje, la novela de José Donoso desplaza metonímicamente la mirada desde la mina hasta el Parque de Lota, alterando así las subjetividades a partir de la variable de clase.Cuadernos de Literatura is registered under a Creative Commons Attribution 4.0 International Public License. Thus, this work may be reproduced, distributed, and publicly shared in digital format, as long as the names of the authors and Pontificia Universidad Javeriana are acknowledged. Others are allowed to quote, adapt, transform, auto-archive, republish, and create based on this material, for any purpose (even commercial ones), provided the authorship is duly acknowledged, a link to the original work is provided, and it is specified if changes have been made. Pontificia Universidad Javeriana does not hold the rights of published works and the authors are solely responsible for the contents of their works; they keep the moral, intellectual, privacy, and publicity rights.
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