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Abstract
La última novela de Rodrigo Parra Sandoval “Tarzán y el filósofo desnudo” establece vínculos significativos con toda su obra narrativa, y de manera particular, con la primera, El álbum secreto del Sagrado Corazón, publicada en 1978, cuyas propuestas creativas parecen realizarse a plenitud en esta obra, e incluso, muchas de aquellas se ubican más allá de ese primer proyecto.
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