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Abstract
En Carlos Fuentes hay un afán de teatralización de la realidad. “El elemento teatral de la novela siempre me ha resultado fascinante”- dice; en efecto uno de los más espectaculares hallazgos de la escritura del narrador mejicano es la alucinante lectura intertextual de cuadros como los de Brueghel en “Cambio de Piel, y el Jardín de las Delicias en Terra Nostra”, una de las novelas más ambiciosas de este final de milenio, en la cual Fuentes indaga sobre el tiempo colectivo.
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