Resumo
O artigo a seguir questiona qual é o papel do desenho num contexto em que a indexicalidade da imagem é politicamente carregada e em que a dúvida nâo é apenas uma ferramenta etnográfica, mas também o objeto da investigação etnográfica. O artigo apresenta como, no distrito montanhoso dos Altos Pirineos e Arán (Alt Pirineu i Aran), em Espanha, onde realizei uma investigação entre 2016 e 2018, o ataque da fauna selvagem chamou a atenção para a veracidade de provas visuais que são altamente contestadas. Entre afirmações contraditórias de agricultores e funcionários do Departamento de Agricultura, Pecuária e Pesca (DARP), as imagens deixam de refletir certeza epistemológica e, em vez disso, fomentam um clima de desconfiança. Este artigo propõe que o desenho etnogtáfico tem a capacidade de tornar visíveis as nuances da relação complicada que os interlocutores mantêm com as imagens.
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