Abstract
Los proponentes del discurso decolonial latinoamericano entran en contradicción performativa cuando utilizan las herramientas de la teoría crítica europea para deconstruir el discurso de la modernidad eurocéntrica: tratan de poner en cuarentena sus propias construcciones discursivas e ideológicas y protegerlas de la misma revisión. Ciegos a las aporías de la teoría, piensan que pueden tomar una posición epistemológica moralmente superior y trascendente a través de su contacto con los mundos indígenas y afrodescendientes. Este proceso de apropiación ideológica simplemente invierte los opuestos simplistas que los teóricos decoloniales dicen que quieren evitar.
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