Abstract
Ensayo inscrito en una pesquisa más amplia sobre cómo se construye la ciudad de Nueva York en el imaginario latinoamericano. De manera particular, se reflexiona sobre la manera en que Victoria Ocampo traduce en el sentido más amplio del término— Nueva York para sí y para sus lectores cómplices, en sus autobiografías, cartas y testimonios. Así, se consignan intercambios notables con intelectuales contemporáneos: Waldo Frank y Roger Caillois, entre los considerados.Cuadernos de Literatura is registered under a Creative Commons Attribution 4.0 International Public License. Thus, this work may be reproduced, distributed, and publicly shared in digital format, as long as the names of the authors and Pontificia Universidad Javeriana are acknowledged. Others are allowed to quote, adapt, transform, auto-archive, republish, and create based on this material, for any purpose (even commercial ones), provided the authorship is duly acknowledged, a link to the original work is provided, and it is specified if changes have been made. Pontificia Universidad Javeriana does not hold the rights of published works and the authors are solely responsible for the contents of their works; they keep the moral, intellectual, privacy, and publicity rights.
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