Keywords
hyperfeminity
capitalistic subjectivity
glocal gender regime
narcoculture
buchonas
How to Cite
Abstract
This paper proposes a theoretical discussion with a transfeminist perspective and a sociocultural análisis of prosthetic femininity as a contemporary occupation. For this purpose, the article compares images of Kim Kardashian, Mexican buchonas, Pixee Fox –a Swedish model–, Valeria Kuckyanova and RealDolls, the new generation of sex dolls by an American company to show how they embody and share the same prototype of a hypersexualized body that represents a business itself.
Berardi, Franco. “Prólogo”. La tiranía del sentido común. La reconversión neoliberal de México. Ed. Irmgard Emmelhaiz. México: Paraíso Ediciones, 2016. 9-14. Impreso.
Colomina, Beatriz. La domesticidad en guerra. Barcelona: Actar Ediciones, 2006. Impreso.
Colomina, Beatriz. Privacidad y publicidad. La arquitectura moderna como medio de comunicación de masas. Murcia: Cendeac, 2010. Impreso.
Connell, R. “Desarrollo, globalización y masculinidades”. Debates sobre masculinidades. Poder, desarrollo, políticas públicas y ciudadanía. Eds. Gloria
Careaga y Salvador Cruz Sierra. México: PUEG - UNAM, 2006. 185-210. Impreso.
De Lauretis, Teresa. Technologies of Gender. Essays on Theory, Film and Fiction. London: Macmillan Press, 2016. Impreso.
Elliott, Anthony. “Plástica extrema: auge de la cultura de la cirugía estética”. Anagramas 9.18 (2011): 145-164. Web.
Federici, Silvia. “La construcción de patriarcado capitalista”. Entrevista de Tesa Echeverría. Web. 3 de diciembre de 2014.
Guattari, Félix y Suely Rolnik. Micropolítica. Cartografías del deseo. Madrid: Traficantes de Sueños, 2006. Impreso.
Hakim, C. Capital Erótico. El poder de fascinar a los demás. México: Random House, 2014. Impreso.
Han, Byung, C. Psicopolítica. Barcelona: Herder, 2014. Impreso.
Jay, Martin. Campos de fuerza. Entre la historia intelectual y la crítica cultural. Buenos Aires: Paidós, 2003. Impreso.
León, Alejandra. “Aproximaciones al estudio del performance, corporalidad y poder en la feminidad de la narcocultura mexicana: las buchonas”. Ponencia leída en el Primer Coloquio Cuerpos y corporalidades. Indagaciones múltiples. México, 2017.
Preciado, Beatriz. Testo Yonqui. Madrid: Espasa - Fórum, 2008. Impreso.
Uwujaren, Jarune. “How women Are Pressured into Being Sexy, But Punished for Being Sexual”. Web. 12 de enero de 2015.
Valencia, Sayak. Capitalismo Gore. Barcelona: Melusina, 2010. Impreso.
Valencia, Sayak y Katia Sepúlveda. “Del fascinante fascismo a la fascinante violencia: Psico/bio/necro/política y mercado gore”. Mitologías Hoy 14 (2016): 75-91. Web.
Vasallo, Brigitte. “Del pornoburka al purplewashing, los trucos más sucioscontra el feminism”. Entrevista de Víctor Lenore. Web. 26 de julio de 2017.
Cuadernos de Literatura is registered under a Creative Commons Attribution 4.0 International Public License. Thus, this work may be reproduced, distributed, and publicly shared in digital format, as long as the names of the authors and Pontificia Universidad Javeriana are acknowledged. Others are allowed to quote, adapt, transform, auto-archive, republish, and create based on this material, for any purpose (even commercial ones), provided the authorship is duly acknowledged, a link to the original work is provided, and it is specified if changes have been made. Pontificia Universidad Javeriana does not hold the rights of published works and the authors are solely responsible for the contents of their works; they keep the moral, intellectual, privacy, and publicity rights.
Approving the intervention of the work (review, copy-editing, translation, layout) and the following outreach, are granted through an use license and not through an assignment of rights. This means the journal and Pontificia Universidad Javeriana cannot be held responsible for any ethical malpractice by the authors. As a consequence of the protection granted by the use license, the journal is not required to publish recantations or modify information already published, unless the errata stems from the editorial management process. Publishing contents in this journal does not generate royalties for contributors.