Keywords
modernidad
novela yukateka
Guatemala
Marisol Ceh Moo
Isaac Esaú Carillo Can
How to Cite
Abstract
El presente artículo examina dos novelas en yukateko, X-Teya, u puksi’ik’al ko’olel/Teya, un corazón de mujer (2009) de Marisol Ceh Moo y U yóok´otilo´ob áak´ab/Danzas de la noche (2010) de Isaac Esaú Carillo Can. En la de Ceh Moo, la narrativa es realista y políticamente comprometida, con escasas referencias a la etnicidad. La de Carrillo Can parece ser una leyenda fantástica en una atmósfera de ensueño. A pesar de marcar dos tendencias en apariencia diferentes, el artículo argumenta que estos textos se complementan entre sí. El primero enfatiza la genealogía de lucha política del siglo XIX al presente. El segundo, la de una tradición escritural y ritualista que explica la afirmación decolonial contemporánea. Asimismo, ambos textos se oponen al machismo heteronormativo articulando sociedades mestizas contemporáneas.Cuadernos de Literatura is registered under a Creative Commons Attribution 4.0 International Public License. Thus, this work may be reproduced, distributed, and publicly shared in digital format, as long as the names of the authors and Pontificia Universidad Javeriana are acknowledged. Others are allowed to quote, adapt, transform, auto-archive, republish, and create based on this material, for any purpose (even commercial ones), provided the authorship is duly acknowledged, a link to the original work is provided, and it is specified if changes have been made. Pontificia Universidad Javeriana does not hold the rights of published works and the authors are solely responsible for the contents of their works; they keep the moral, intellectual, privacy, and publicity rights.
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