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Abstract
El arresto de Augusto Pinochet, ex comandante en Jefe de la Junta Militar chilena, en 1998, colocó sobre las escena social la memoria sobre los hechos y conflictos de la dictadura como zona de enunciación política, de performatividad mediática y de intervención callejera. Todo lo cual reta y fractura, según Nelly Richard, el consenso democrático organizado por la Transición sobre la base de la disolución de lo político-ideológico desde la gratificación consumista del mercado. Richard reflexiona sobre los lenguajes que el arte, la literatura y la crítica cultural debe poner en práctica para tomar partido entre la tensión entre memoria y desmemoria y, de este modo, seguir desatando guerras de interpretación en tomo a los significados y usos del recuerdo dentro de los procesos de redemocratización política y culturalCuadernos de Literatura is registered under a Creative Commons Attribution 4.0 International Public License. Thus, this work may be reproduced, distributed, and publicly shared in digital format, as long as the names of the authors and Pontificia Universidad Javeriana are acknowledged. Others are allowed to quote, adapt, transform, auto-archive, republish, and create based on this material, for any purpose (even commercial ones), provided the authorship is duly acknowledged, a link to the original work is provided, and it is specified if changes have been made. Pontificia Universidad Javeriana does not hold the rights of published works and the authors are solely responsible for the contents of their works; they keep the moral, intellectual, privacy, and publicity rights.
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