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Abstract
El poema Retrato contiene varios textos, cada uno orienta a entrar y salir de los otros. El polisemiotismo permite leer y ver al mismo tiempo. Se trata de una práctica semiótica que construye otras dimensiones Iingüísticas, sin mengua de su legitimidad. El tema o idea central es Yosoytú, al modo de los gáthas y kóans para la meditación Zen. Los bordes virtuales enmarcan a Tú, que es un sí mismo ante el espejo, su Retrato. Lo visible resulta ser la transparencia.Cuadernos de Literatura is registered under a Creative Commons Attribution 4.0 International Public License. Thus, this work may be reproduced, distributed, and publicly shared in digital format, as long as the names of the authors and Pontificia Universidad Javeriana are acknowledged. Others are allowed to quote, adapt, transform, auto-archive, republish, and create based on this material, for any purpose (even commercial ones), provided the authorship is duly acknowledged, a link to the original work is provided, and it is specified if changes have been made. Pontificia Universidad Javeriana does not hold the rights of published works and the authors are solely responsible for the contents of their works; they keep the moral, intellectual, privacy, and publicity rights.
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