Keywords
ficción
sobrenaturaleza
artificio
How to Cite
Abstract
Para conceptualizar lo contemporáneo es imprescindible comprender que hay en el arte una forma de pensamiento que se ofrece en la forma de no-pensamiento, así como, inversamente, hay un no-pensamiento que alimenta al pensamiento y, en última instancia, le confiere una potencia peculiar. Ese no-pensamiento –el reino de la imagen– no es una nada sino un vacío. No es sólo ausencia de pensamiento, sino presencia efectiva de lo otro y lo heterogéneo; en otras palabras, es equivalencia entre pensamiento y no-pensamiento, es decir, entre logos y mythos. La Modernidad es así no ya negatividad dialéctica sino heterología diseminada.
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