Abstract
Desde la caracterización que Régis Debray hace del panorama contemporáneo en el que conviven tres épocas: la logosfera, de la época de la escritura; la grafosfera, originada por la imprenta y la videosfera sufrida con el audiovisual, el autor se pregunta por las condiciones de trabajo del periodismo contemporáneo. Por un lado, el periodismo se entiende como una especialidad profesional y de otro, los ideales de la prensa continúan anclados en presupuestos de la grafosfera. El periodismo sufre una crisis de identidad, incapaz de enfrentar los cambios culturales y las nuevas formas de producción y consumo de la información de la videosfera.This journal is registered under a Creative Commons Attribution 4.0 International Public License. Thus, this work may be reproduced, distributed, and publicly shared in digital format, as long as the names of the authors and Pontificia Universidad Javeriana are acknowledged. Others are allowed to quote, adapt, transform, auto-archive, republish, and create based on this material, for any purpose (even commercial ones), provided the authorship is duly acknowledged, a link to the original work is provided, and it is specified if changes have been made. Pontificia Universidad Javeriana does not hold the rights of published works and the authors are solely responsible for the contents of their works; they keep the moral, intellectual, privacy, and publicity rights.
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