The The semiotic and aesthetic analysis of the soundtrack, a taxonomic proposal: A Taxonomic Proposal

Abstract

This article presents a taxonomic proposal for the semiotic and aesthetic classification of the elements of the soundtrack, this instrument is developed through the theoretical contributions of the cinematographic sound of Chalko (2014), Chion (1990), Jullier (2007), Bordwell & Thompson (2003), Rodríguez Bravo (1998), the semiotics of the cinematographic language of Saussure and Peirce and in turn will be complemented by contributions from Ensestein's theories (2004); This taxonomy is used promptly in a film analysis exercise to the feature films Los hongos (Ruiz Navia, 2014), Las tetas de mi madre (Zapata, 2015) and Los nadie (Mesa, 2016).