Keywords
turismo
arte
gentrificación
racialización
centro histórico
How to Cite
Abstract
El presente documento propone una lectura sobre la obra ¡La historia nuestra, Caballero! (Cartagena, 2008) del artista afrocartagenero Nelson Fory; para ello se vale de un registro audiovisual que permite contextualizar espacialmente la intervención. El texto, a través de la revisión de algunas fuentes, intenta argumentar la conexión que existe entre la declaración de la ciudad como Patrimonio Cultural de la Humanidad (1984), el enfoque que se le ha dado al tratamiento de su centro histórico, y su conexión con el turismo y los recientes procesos de gentrificación.This journal is registered under a Creative Commons Attribution 4.0 International Public License. Thus, this work may be reproduced, distributed, and publicly shared in digital format, as long as the names of the authors and Pontificia Universidad Javeriana are acknowledged. Others are allowed to quote, adapt, transform, auto-archive, republish, and create based on this material, for any purpose, provided the authorship is duly acknowledged, a link to the original work is provided, and it is specified if changes have been made. Pontificia Universidad Javeriana does not hold the rights of published works and the authors are solely responsible for the contents of their works; they keep the moral, intellectual, privacy, and publicity rights.
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