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Abstract
Apoyado en las tesis del “fin del arte” y el “fin de las vanguardias”, y a través del análisis de unaserie de entrevistas realizadas a artistas, críticos, curadores e historiadores del arte colombianos,en este texto se exploran algunos de los conceptos que sirven para construir la autoconcienciade la contemporaneidad en el arte colombiano. El análisis muestra que esta se determina casisiempre por la penetración y el afianzamiento en el ámbito colombiano de las nuevas manerasde hacer arte promovidas por las neovanguardias, suscitando versiones locales de las mismasinquietudes sobre el papel de las instituciones y las relaciones entre arte y vida. Los conceptosmás influyentes para comprender esta situación vienen en muchos casos de las teorías de laposmodernidad.This journal is registered under a Creative Commons Attribution 4.0 International Public License. Thus, this work may be reproduced, distributed, and publicly shared in digital format, as long as the names of the authors and Pontificia Universidad Javeriana are acknowledged. Others are allowed to quote, adapt, transform, auto-archive, republish, and create based on this material, for any purpose, provided the authorship is duly acknowledged, a link to the original work is provided, and it is specified if changes have been made. Pontificia Universidad Javeriana does not hold the rights of published works and the authors are solely responsible for the contents of their works; they keep the moral, intellectual, privacy, and publicity rights.
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