Keywords
Music Theater
Conceptual Music
Conceptual Art
ZAJ
How to Cite
Abstract
The correct recreation of musical works, which do not belong to traditional standards of composition and interpretation, as in the case of Music Theater and Conceptual Music, involves a deep understanding of the work’s inherent characteristics. Taking as an example the esthetic, stylistic and structural analyses of Juan Hidalgo’s Los holas, I Intend in this article, to examine the characteristics of the above mentioned repertoire, which will allow me to come to conclusions related to the cataloguing, criticism and interpretation of this work.This journal is registered under a Creative Commons Attribution 4.0 International Public License. Thus, this work may be reproduced, distributed, and publicly shared in digital format, as long as the names of the authors and Pontificia Universidad Javeriana are acknowledged. Others are allowed to quote, adapt, transform, auto-archive, republish, and create based on this material, for any purpose, provided the authorship is duly acknowledged, a link to the original work is provided, and it is specified if changes have been made. Pontificia Universidad Javeriana does not hold the rights of published works and the authors are solely responsible for the contents of their works; they keep the moral, intellectual, privacy, and publicity rights.
Approving the intervention of the work (review, copy-editing, translation, layout) and the following outreach, are granted through an use license and not through an assignment of rights. This means the journal and Pontificia Universidad Javeriana cannot be held responsible for any ethical malpractice by the authors. As a consequence of the protection granted by the use license, the journal is able to publish retractions or to correct information already published. Publishing contents in this journal does not generate royalties for contributors.