Keywords
Foucault
Deleuze
dispositivo
arte numérico
habitabilidad
How to Cite
Abstract
La habitabilidad crítica es una manera conceptual y sensorial para pensar las instalaciones del artista catalán Antoni Muntadas. En ellas se despliegan dispositivos críticos que plantean procesos experienciales y reflexivos en los cuales se escenifican las distintas formas de control y de alienación de la sociedad, especialmente desarrolladas por la publicidad, el diseño, la arquitectura, las redes, los medios de comunicación. Estas instalaciones operan como dispositivos de percepción y reflexión en el sentido en que Foucault y Deleuze los definieran, planteando así líneas de fuga y dinámicas de poder que permiten la ruptura.This journal is registered under a Creative Commons Attribution 4.0 International Public License. Thus, this work may be reproduced, distributed, and publicly shared in digital format, as long as the names of the authors and Pontificia Universidad Javeriana are acknowledged. Others are allowed to quote, adapt, transform, auto-archive, republish, and create based on this material, for any purpose, provided the authorship is duly acknowledged, a link to the original work is provided, and it is specified if changes have been made. Pontificia Universidad Javeriana does not hold the rights of published works and the authors are solely responsible for the contents of their works; they keep the moral, intellectual, privacy, and publicity rights.
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