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Abstract
Este ensayo toma como punto de partida la novela Hunger’s Brides: A Novel of the Baroque del canadiense Paul Anderson, una novela de metaficción historiográfica, para reflexionar sobre la obra, vida e imagen de Sor Juana en la crítica literaria contemporánea. La novela entabla una crítica de la fácil lectura biográfica que predomina en los estudios sorjuaninos. Esto lo hace a través de los diversos juegos literarios que parodian la crítica de Sor Juana, la fragmentación de la novela en múltiples voces, la bifurcación de ella en dos novelas (una que pretende ser una novela histórico–biográfica de Sor Juana y la otra la historia de la composición de la novela) y la interrogación de la veracidad de la novela por la novela misma.This journal is registered under a Creative Commons Attribution 4.0 International Public License. Thus, this work may be reproduced, distributed, and publicly shared in digital format, as long as the names of the authors and Pontificia Universidad Javeriana are acknowledged. Others are allowed to quote, adapt, transform, auto-archive, republish, and create based on this material, for any purpose, provided the authorship is duly acknowledged, a link to the original work is provided, and it is specified if changes have been made. Pontificia Universidad Javeriana does not hold the rights of published works and the authors are solely responsible for the contents of their works; they keep the moral, intellectual, privacy, and publicity rights.
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