Keywords
Cinematic apparatus
History of cinema
Cinematic language
Cinema
How to Cite
Abstract
Films are usually approached from an ideal perspective.Common theory usually hides the conditionsof production of filmmaking. However, if theperspective is changed and films are analyzed as aproduct of a industrial system of production, it ispossible to find the productive apparatus behind ofevery film. Apparatus that articulates school contents,screening venues, film festivals and finallyeven the cinematic form projected on the screen.One of the most important constitutive elementsof cinematic apparatus is cinematographic theoryand more precisely historical theory of cinema. Thisarticle approaches the different levels of history ofcinema as a speech full of ideological biases.This journal is registered under a Creative Commons Attribution 4.0 International Public License. Thus, this work may be reproduced, distributed, and publicly shared in digital format, as long as the names of the authors and Pontificia Universidad Javeriana are acknowledged. Others are allowed to quote, adapt, transform, auto-archive, republish, and create based on this material, for any purpose, provided the authorship is duly acknowledged, a link to the original work is provided, and it is specified if changes have been made. Pontificia Universidad Javeriana does not hold the rights of published works and the authors are solely responsible for the contents of their works; they keep the moral, intellectual, privacy, and publicity rights.
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