Abstract
This article intends to analyze the novel Distant star by Roberto Bolaño, using concepts as expanded art, avant-garde and neo-avant-garde. It is shown the way in which, through these notions, the process links the novel to a reflection on categories as artistic revolution and political revolution. First of all, the plot lines of the novel and theartist´s features are shown; secondly, avant-garde and expanded art concepts are defined; thirdly,the article considers the way in which the novel portraits the artist as a figure that invert some assumptions given by modern conceptions on art, literature and politics. Finally, it is discussed how interaction between experimental work of art and audience is changed in the mise en scène of theaesthetic experience. It is added some ideas about the intertexts of the XXth century visual arts and artist novel.This journal is registered under a Creative Commons Attribution 4.0 International Public License. Thus, this work may be reproduced, distributed, and publicly shared in digital format, as long as the names of the authors and Pontificia Universidad Javeriana are acknowledged. Others are allowed to quote, adapt, transform, auto-archive, republish, and create based on this material, for any purpose, provided the authorship is duly acknowledged, a link to the original work is provided, and it is specified if changes have been made. Pontificia Universidad Javeriana does not hold the rights of published works and the authors are solely responsible for the contents of their works; they keep the moral, intellectual, privacy, and publicity rights.
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