Published Apr 2, 2006



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Antonio Gómez Sotolongo

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Abstract
An analysis of bibliography, phonograms and scores documenting the genesis of the well–known Cuban folk song Guantanamera, reveals the identity of its true author, and demonstrates the causes of the uncertainty that surrounds the authorship of the famous setting of José Marti’s poem. The author of this article concludes that the piece is an original creation of the Cuban–Hispanic composer Julián Orbón (1925–1991), rather than Joseíto Fernández, to whom it has been repeatedly attributed.The article concludes as well, that the melody of the tune known as Guajira guantanamera –made famous as a setting of improvised decasyllabic verses, and also attributed to Joseíto Fernández– is completely different from the one used by Orbón, which was the one internationalized by Pete Seeger with Marti’s words.Political causes motivated Cuban government to broadcast (wrongly) that the author of the tune, with words by José Martí, known as Guantanamera is Joseíto Fernández, and that Julián Orbón was responsible only for the setting of Martí’s poem to Fernández melody.
Keywords

Tonada Guajira guantanamera, Joseíto Fernández, Julián Orbón, Canción Guantanamera, Pete Seeger, Estado Cubano, política cultural, adjudicación errónea de autoríaTune Guajira guantanamera, Joseíto Fernández, Julián Orbón, Song Guantanamera, Pete Seeger, Cuban Goverment, cultural policy, wrong authorship attribution

References
How to Cite
Gómez Sotolongo, A. (2006). Tientos y diferencias de La Guantanamera compuesta por Julián Orbón. Política cultural de la revolución cubana de 1959. Cuadernos De Música, Artes Visuales Y Artes Escénicas, 2(2), 146–175. Retrieved from https://revistas.javeriana.edu.co/index.php/cma/article/view/6433
Section
Articles