Keywords
Ariel Magnus
marxismo
trauma
How to Cite
Abstract
El presente artículo muestra cómo confluyen la historia del extractivismo cauchero y la del holocausto en Muñecas (2008) de Ariel Magnus. En un primer momento se sitúa a la novela en su doble trayectoria de narrativa del caucho y del trauma. A continuación se especula que un deseo de control absoluto define la relación de los humanos con el caucho; a su vez, ese deseo influiría en el lenguaje literario que representa y eventualmente repara tal relación. Por último, se propone una interpretación transcultural del rol de la así llamada materia “prima” en el materialismo histórico.Cuadernos de Literatura is registered under a Creative Commons Attribution 4.0 International Public License. Thus, this work may be reproduced, distributed, and publicly shared in digital format, as long as the names of the authors and Pontificia Universidad Javeriana are acknowledged. Others are allowed to quote, adapt, transform, auto-archive, republish, and create based on this material, for any purpose (even commercial ones), provided the authorship is duly acknowledged, a link to the original work is provided, and it is specified if changes have been made. Pontificia Universidad Javeriana does not hold the rights of published works and the authors are solely responsible for the contents of their works; they keep the moral, intellectual, privacy, and publicity rights.
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