Keywords
exotización
globalización
Ttranspacífico
novela latinoamericana siglo XXI
How to Cite
Abstract
El artículo examina tres novelas latinoamericanas contemporáneas de tema chino: Una novela china (1987), de César Aira, Los impostores (2002), de Santiago Gamboa, y Un chino en bicicleta (2007), de Ariel Magnus. Mediante un análisis comparativo de sus mecanismos de exotización y orientalización de la cultura china, se ofrecen elementos para entender estas obras dentro de una nueva corriente de imaginación transpacífica que expresa ansiedades propias de las incertidumbres generadas por la globalización cultural. En conversación con la obra de Edward Said y Fredric Jameson, se ofrece una especulación teórica sobre la revalorización cultural a la que llevaría la consolidación de una comunidad literaria transnacional.
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