Abstract
The text propose a reflection of the architectural production status in a decisive moment for the constitution of the latinamerican architectural culture, that has in the independence centenary commemoration a origin point to legitimate the symbolic imaginary of the national modern state. For the case of Chile this we can refer at two cases where the academic canon for building and monuments were build since the postcolonial logic, that put in crisis the authenticity concept, always that this are build since the copy.Apuntes is registered under a Creative Commons Attribution 4.0 International Public License. Thus, this work may be reproduced, distributed, and publicly shared in digital format, as long as the names of the authors and Pontificia Universidad Javeriana are acknowledged. Others are allowed to quote, adapt, transform, auto-archive, republish, and create based on this material, for any purpose (even commercial ones), provided the authorship is duly acknowledged, a link to the original work is provided, and it is specified if changes have been made. Pontificia Universidad Javeriana does not hold the rights of published works and the authors are solely responsible for the contents of their works; they keep the moral, intellectual, privacy, and publicity rights.
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