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Se analizan cuatro ejes narrativos: la televisión, como un lugar de encuentro que se pone en escena pública, pero para apropiación privada; los jóvenes, como los sujetos que habitan el tiempo; la sensibilidad, como la lógica narrativa que atraviesa nuestras producciones culturales; y el consumo, como el valor que marca los contextos. Así televisión, y jóvenes se comprenden como formas atravesadas por una sensibilidad (ámbito privado) y una lógica de consumo (ámbito público) La comunicación construye historias de las culturas y las relaciones inter personales; arma de discurso de imágenes, imaginarios e identidad; hace un relato de las formas de la verdad (verdades “posiscionadas” como tales desde el conocimiento- poder).This journal is registered under a Creative Commons Attribution 4.0 International Public License. Thus, this work may be reproduced, distributed, and publicly shared in digital format, as long as the names of the authors and Pontificia Universidad Javeriana are acknowledged. Others are allowed to quote, adapt, transform, auto-archive, republish, and create based on this material, for any purpose (even commercial ones), provided the authorship is duly acknowledged, a link to the original work is provided, and it is specified if changes have been made. Pontificia Universidad Javeriana does not hold the rights of published works and the authors are solely responsible for the contents of their works; they keep the moral, intellectual, privacy, and publicity rights.
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