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Abstract
The following article strives to develop a reflection of the expressions of resistance, aesthetics and narrative practices of a group of young people who belong to the school INEM Francisco de Paula Santander (Kennedy – Bogota – Colombia), who calls itself MAFRA (Radical Antifascist Anarco - collective movement). For their purposes, the group leans on concepts such as Micropolitics, Biopolitics, Resistance and Crowd, developed by authors as Foucault, Negri, Hardt, Deleuze and Guattari. Finally, it asks for the limits of these practices of resistance, evoking the image of the “machine that mutes” and showing the example of the “Rock al Parque” music festival organized every year by the local government of Bogotá.
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