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Abstract
La última etapa del Frente Nacional corresponde a una coyuntura política que devela un Estadoen crisis. Este artículo pretende identificar la manera en que algunos de estos elementos contextualesrepercuten en diversas formas de producción visual que apuntan a lecturas divergentes.Si el diseño y la publicidad institucional y política configuran un imaginario de solidez y fortaleza del Estado colombiano, por otra parte, la cinematografía independiente y la producción artística,cargadas de humor e ironía, cuestionan la imagen de bienestar social que pretenden mostrarlas primeras. Para construir esta hipótesis, ha sido fundamental un análisis directo de fuentesprimarias publicadas en prensa y la consulta de piezas visuales y obras de arte pertenecientes acolecciones públicas.This journal is registered under a Creative Commons Attribution 4.0 International Public License. Thus, this work may be reproduced, distributed, and publicly shared in digital format, as long as the names of the authors and Pontificia Universidad Javeriana are acknowledged. Others are allowed to quote, adapt, transform, auto-archive, republish, and create based on this material, for any purpose, provided the authorship is duly acknowledged, a link to the original work is provided, and it is specified if changes have been made. Pontificia Universidad Javeriana does not hold the rights of published works and the authors are solely responsible for the contents of their works; they keep the moral, intellectual, privacy, and publicity rights.
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