Abstract
Through the figure of the animal, this research text points a comparative reading of different manifestations of a modern indigenism at play in contemporary art. A critical approach to the artistic and political operation found in the art work I Like America and America Likes Me by Joseph Beuys allows us to study the complexity of other artistic productions that reference this work which, in turn, allows us to understand the way in which indigenism isincorporated into the work of those artists who wish to justify a certain position when confronted with a system of identity that seeks to reestablish a colonial ideology in the art world.
This journal is registered under a Creative Commons Attribution 4.0 International Public License. Thus, this work may be reproduced, distributed, and publicly shared in digital format, as long as the names of the authors and Pontificia Universidad Javeriana are acknowledged. Others are allowed to quote, adapt, transform, auto-archive, republish, and create based on this material, for any purpose, provided the authorship is duly acknowledged, a link to the original work is provided, and it is specified if changes have been made. Pontificia Universidad Javeriana does not hold the rights of published works and the authors are solely responsible for the contents of their works; they keep the moral, intellectual, privacy, and publicity rights.
Approving the intervention of the work (review, copy-editing, translation, layout) and the following outreach, are granted through an use license and not through an assignment of rights. This means the journal and Pontificia Universidad Javeriana cannot be held responsible for any ethical malpractice by the authors. As a consequence of the protection granted by the use license, the journal is able to publish retractions or to correct information already published. Publishing contents in this journal does not generate royalties for contributors.