Abstract
This article deals with the imagery associated to the creation of Aura, the first opera of the Mexican composer Mario Lavista. In that context, the paper comprises some important moments in the composer’s artistic career, a discussion about the plot and the corresponding musical analysis. The circularity, a recurrent trait in the composer’s work, encourages the conclusive hypothesis.This journal is registered under a Creative Commons Attribution 4.0 International Public License. Thus, this work may be reproduced, distributed, and publicly shared in digital format, as long as the names of the authors and Pontificia Universidad Javeriana are acknowledged. Others are allowed to quote, adapt, transform, auto-archive, republish, and create based on this material, for any purpose, provided the authorship is duly acknowledged, a link to the original work is provided, and it is specified if changes have been made. Pontificia Universidad Javeriana does not hold the rights of published works and the authors are solely responsible for the contents of their works; they keep the moral, intellectual, privacy, and publicity rights.
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