Abstract
El presente artículo ofrece una discusión teórica sobre el concepto semiótico de índice (en su doble categoría de índice-indicio e índice-designador) y las transformaciones a las que se ha visto sometido con la llegada de la era digital. Para ilustrar estas transformaciones analizamos algunos ejemplos procedentes del mundo del cine, la música y los mundos virtuales 3D, investigando los cambios, mutaciones y paradojas indiciales que es posible encontrar en ellos.This journal is registered under a Creative Commons Attribution 4.0 International Public License. Thus, this work may be reproduced, distributed, and publicly shared in digital format, as long as the names of the authors and Pontificia Universidad Javeriana are acknowledged. Others are allowed to quote, adapt, transform, auto-archive, republish, and create based on this material, for any purpose, provided the authorship is duly acknowledged, a link to the original work is provided, and it is specified if changes have been made. Pontificia Universidad Javeriana does not hold the rights of published works and the authors are solely responsible for the contents of their works; they keep the moral, intellectual, privacy, and publicity rights.
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