Abstract
The article describes, using as a background the study cases of the sculptures of Bolívar in Bogotá and the Pibe in Santa Marta,the current problem of the sculptures in public spaces, when the definitions of monument and heritage are no longer comparable.As part of the problem, the article explores the relationship between production forms of the authoritarian memory expressedthrough the monuments, in the most common meaning of the term, and the contradiction expressed when the monuments areused as an expression of the popular culture. Some ideas about the role of the monuments in the construction of the publicspace are shown, as a scenario for the depiction of the political power. According to these considerations, a brief reflectionis presented about the future of these objects within the context of Colombia as well as the challenges for its conservation.Apuntes is registered under a Creative Commons Attribution 4.0 International Public License. Thus, this work may be reproduced, distributed, and publicly shared in digital format, as long as the names of the authors and Pontificia Universidad Javeriana are acknowledged. Others are allowed to quote, adapt, transform, auto-archive, republish, and create based on this material, for any purpose (even commercial ones), provided the authorship is duly acknowledged, a link to the original work is provided, and it is specified if changes have been made. Pontificia Universidad Javeriana does not hold the rights of published works and the authors are solely responsible for the contents of their works; they keep the moral, intellectual, privacy, and publicity rights.
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