Waters/Forests: In the Well-Garden
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Through a series of extracts arranged as a chronicle, we tell the process of an artist who sees the traces they leave on the earth as spaces for experimentation and conjugation of what makes up their context. Here, the waters, the forests, and the well become one and the same universe, woven under experience and experimentation, along with the intention of assuming a territory that is made through negotiations between that which is human and what is non-human. This story is a fragment of a research by an artist who is studying a Master’s Degree in Conservation and Use of Biodiversity that addresses the issue of the Anthropocene as a trigger to ask about how a print that is assumed as a garden, from the everyday world, close and particular, has the potential to open divergences about our relationship with the environment and what lives in it. Is there another way of being and leaving traces that does not involve undermining? From the gestures, the walk and the experience of spaces, this question will be answered while we find ways of understanding the signs of an intervened space that tries to offer new views beyond anthropocentrism.
Anthropocene, forests, gardens, non-humans, artistic practice, printsAntropoceno, bosques, jardines, no humanos, práctica artística, huellaAntropoceno, florestas, jardins, não humanos, prática artística, rastros
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