Keywords
Productive Cultural Landscapes
Bogotá High Plain
Bogotá’s High Plain History of Production
Territory
Key Words Plus
Cultural Landscapes
Industrial Productivity
History
Sabana de Bogotá (Colombia).
How to Cite
Abstract
The understanding and acknowledgement of Colombia’s industrial legacy has been dominated by traditional perspectivesthat when drawing up inventories, enhance the individual object and rule out the dynamics of productionthat were developed and consolidated. As an alternative, this paper proposes an approach that combines the ideasabout industrial heritage and cultural landscapes as a starting point to identify, value and bring together the tangibleand intangible heritage of Bogota’s High Plain productive history which gives its industrial cultural identity. Asa methodology, three productive processes of which documentation from the pre-Columbian era was available arestudied and related mutually in three different periods, as part of a production process or as a result of exchangebetween different regions. The presence of water as a resource for production and distribution is included as a factorin the reconstruction of these landscapes. Classifying these traces, three production landscapes were reconstructed,and methodologies are proposed for identifying and valuing the remains of production that could be part of theindustrial heritage of Colombia.Apuntes is registered under a Creative Commons Attribution 4.0 International Public License. Thus, this work may be reproduced, distributed, and publicly shared in digital format, as long as the names of the authors and Pontificia Universidad Javeriana are acknowledged. Others are allowed to quote, adapt, transform, auto-archive, republish, and create based on this material, for any purpose (even commercial ones), provided the authorship is duly acknowledged, a link to the original work is provided, and it is specified if changes have been made. Pontificia Universidad Javeriana does not hold the rights of published works and the authors are solely responsible for the contents of their works; they keep the moral, intellectual, privacy, and publicity rights.
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